A Wedgwood black basalt jardiniere 19th century, the body modelled with Apollo and the Muses, after a design attributed to John Flaxman Junior, below lion mask ring handles supporting scrolled grape vines and a rim of flowers, impressed marks, 22 cm diameter, 20 cm high
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- Basalt - Basalt is a hard, dense volcanic rock formed from the rapid cooling of basaltic lava, and makes up most of the earth's oceanic crust.
However it is also the name given by Josiah Wedgwood in 1768 to a fine black unglazed porcelain which he called Wedgwood Black Basalt.
Using this fine-grained stoneware he was able to produce copies of the newly excavated Etruscan pottery from Italy, with a lustrous and smooth, surface, and this new innovation proved to be a huge commercial success.
- Lion Mask - The lion mask has been used for centuries in various forms of art and design, including furniture, silver, and ceramics, and is usually y depicted as a stylized representation of the face of a lion, often with an open mouth and protruding tongue. and is often used as a handle, knob, or other decorative element.
In furniture design, lion masks were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as decorative elements on the legs or arms of chairs, as well as on cabinet and drawer pulls. It was also used as a handle, knob, or other decorative element.
In silverware design, lion masks were often applied to tea and coffee pots, as well as on candlesticks, snuff boxes, and other small silver items. The lion mask was often used in combination with other neoclassical motifs, such as laurel wreaths or acanthus leaves, to create a sense of grandeur and classical elegance.
In ceramics, lion masks were often depicted in relief, and were sometimes used in combination with other decorative elements, such as garlands or swags.
- Apollo - Apollo is the Greek and Roman god of the sun, and patron of music and poetry. He is often depicted with a lyre.
- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
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