An Austro-Hungarian Baroque style silver plated mounted twin…
click the photo to enlarge
An Austro-Hungarian Baroque style silver plated mounted twin handled jardiniere complete with liner, the oval body with gilded interior with twin cast putti handles and raised on four scrolled foliate feet, height 28 cm, length 48 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A Hardy Bros silver-plated shell-form footed serving dish

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian silver bracelet, comprising engraved rectangular panels, bordered by intricate ball decoration, in sterling silver, total length 195 mm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George IV sterling silver Chinoiserie tea caddy by John Wintle, London circa 1825, 17 cm high, 585 grams

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A silver-plated flower bowl and mirror plateau 16 cm high, 38 cm wide

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.