Loma Lautour (1902-1964), 'Pan', a life size glazed earthenware…
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Loma Lautour (1902-1964), 'Pan', a life size glazed earthenware bust of a satyr, circa 1945 in mottled blue and grey glaze, raised on a square socle with inscribed title and signature Loma Lautour, possibly a portrait of Norman Lindsay, the father-in-law of the artist, 122 cm high, raised on a 50 cm high pedestal. Reference: illustrated Australian Art Pottery 1900-1950, casuarina Press, Plate 231 Provenance: Haberfield Antiques, 14 May 1997

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  • Earthenware - A basic ceramic material that is fired at a low temperature. Earthenware is the basis of almost all ancient, medieval, Middle Eastern and European painted ceramics. After firing, the colour is the colour of the clay when it is dug from the ground: buff, brown and red. It is not waterproof until glazed. Creamware is a type of earthenware covered with a transparent lead glaze. Majolica, faience and delft are also earthenware covered in an opaque white tin glaze.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Socle - The short plinth, usually cylindrical, that serves as a pedestal for a sculpture or vase
  • Casuarina - Casuarina, is also known as beefwood (because of its appearance) she-oak, swamp oak, river oak, forest oak and Botany Bay wood. It is a native Australian hardwood, red brown in colour with dark flecks.
  • Satyr - A creature from Greek mythology with goat-like features, including a bearded face and horns, a man's torso, hairy legs and cloven hooves and a tail. As attendants of Bacchus, satyrs sometimes carry grapes or pitchers of wine. As spitis of fertility they may carry a cornucopia or basket of fruit.

    They are also used to portray lust, and are often depicted with a leering expression. As well as being depicted singly or in a group in sculpture and candelabra, they also appear as motifs on ceramics, glass, silver and gold objects.

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