A Continental Art Noveau Ash and marquetry armoire in the…
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A Continental Art Noveau Ash and marquetry armoire in the manner of Emile Galle, late 19th century, the moulded and panelled cornice above an asymmetrical arrangement of a tall door enclosing a hanging space, a shorter mirrored door enclosing shelves, and two drawers, on swept feet, the cornice, taller door, and drawer fronts with stylized floral marquetry in various woods on a bird's eye maple ground. Height 230 cm. Width 114 cm. Depth 47 cm

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  • Maple - Maple, native to North America, is a dense heavy timber from light to yellow-brown in colour. It has very little distincive graining unless it is one of the variants such as birds-eye maple or burr maple, so was not used extensively for furniture in 18th and 19th century, where cabinetmakers and designers preferred timbers with more distinctive features such as mahogany, walnut, rosewood and oak.

    Birds-eye maple has a seres of small spots linked by undulating lines in the grain, is highly sough and is used as a decorative veneer. Burr maple has larger and irregular grain swirls than birds-eye maple.
  • Cornice - The upper section of a high piece of furniture such as a bookcase, wardrobe or cabinet that sits immediately on the main structure. The cornice is usually decorated with a variety of architectural mouldings, worked either with a moulding plane or, from the later 19th century, by machine. The front and side of the cornice are mitred together, strengthened by glue blocks, and the back is generally a simple dovetailed rail to hold the structure together. Cornices are generally, though not always, fitted separately to the piece and are held in place either by screws sunk into the top board or by wooden corner blocks. A pediment may sit above the cornice, but sometimes the terms cornice and pediment are used interchangeably.
  • Marquetry - In marquetry inlay, contrasting woods, and other materials such as ivory, shell and metal are inlaid either as panels or in a single continuous sheet over the surface of the piece. The design may be straightforward, such as a shell pattern or a basket of flowers, or it may be infinitely complex, with swirling tendrils of leaves, flowers and foliage, such as one finds, for example, in the "seaweed" patterns on longcase clocks of the William and Mary and Queen Anne periods.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Bird's Eye Maple - Bird's eye maple is a type of wood that is characterized by its unique, small, round eyes or spots that are scattered throughout the wood. These spots are caused by a genetic defect in the tree, and they give the wood a distinctive, swirling pattern that is highly sought after by woodworkers and furniture makers.

    Bird's eye maple is harvested from the hard maple tree, which is native to Northern Europe and North America. The wood is generally pale in colour, with shades of cream, white, or light brown. The bird's eye figure is most seen in hard maple, but it can also be found in other species of maple such as the big leaf maple and silver maple, but hard maple is the most common.

    It became fashionable in furniture manufacturing for use as a decorative veneer from the late 18th century to the late 19th century.

    As well as furniture making, it is also used in musical instruments such as guitar, drums, and pianos and smaller decorative items such as various type of boxes such as tea caddies and in picture frames.

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