George III Silver Sugar Basin & Cream Jug

• Angell Family of Silversmiths - There were a number of members of the Angell family who were silversmiths, commencing with Joseph Angell I (also expressed as Joseph Angell, Senior), and his brothers John Angell and Abraham Angell.
  
  On the retirement of Joseph Angell I in 1948, from what had become the leading London silverware workshop, the business was taken over by his son, Joseph Angell II (also expressed as Joseph Angell, Junior), (1815 - 1891).
  
  Joseph Angell II exhibited at the at the 1851 Great Exhibition, the 1853 New York Exhibition, and the 1862 International Exhibition winning medals at each event.
  
  His career is marked by the rich silver items crafted and decorated with chiseling, reliefs and enamels, including trays, tea and coffee sets, jugs, centrepieces and vases
  
  The Victoria and Albert Museum in London holds a number of silver objects by Jospeh Angell II.
• George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
• Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

• Angell family (England) - silversmiths 68
• Angell, Joseph (London) - silver, maker or retailer 37
• cream jugs and creamers - silver items 714
• jugs, cream
  • silver, George III 243
  • silver, Georgian period unspecified 295