A group of Spode bat-printed pieces, circa 1810, all decorated en grisaille variously with gilt or brown-glazed rims, a pair of side plates, decoration pattern 1922, decorated with male figures in rural settings; a cup and saucer decorated with houses in rural settings; and a saucer dish, pattern 557, with a scene of three cows at a river's edge, painted pattern numbers underside the plates and dish. Height 5.5 cm. (cup). Diameter 18 cm. (dish), and smaller
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- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Grisaille -
Decorative painting in monochrome, usually shades of grey, olive green or buff, painted on wood, plaster, ceramic or stone surfaces to imitate marble figural sculpture or relief ornament.
Grisaille, from the French "gris", or grey (colour) is a painting technique in which a monochrome image is created using only shades of gray, black and white, usually created by using a gray underpainting or a limited colour palette. It is often used to create the illusion of sculpture or relief on a flat surface, and was commonly used during the Renaissance and Baroque periods.
The technique of grisaille has been used in decorative arts for centuries. It was commonly used in the Renaissance and Baroque periods in Europe to create the illusion of sculptural relief on flat surfaces such as walls, ceilings, and furniture. This technique allowed artists to create the illusion of depth and dimensionality without the use of colour.
During the Rococo period, grisaille was often used in the production of ceramics and porcelain to create finely detailed designs on a white or light-colored surface.
In the 19th century, grisaille continued to be used in decorative arts, particularly in the production of ceramics, both Western and Oriental.
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