A two colour glass overlay snuff bottle with turquoise stopper…
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A two colour glass overlay snuff bottle with turquoise stopper overlaid in ruby red and imperial yellow on a milky white ground continuing vine leaves 6.5 cm high

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  • Imperial Yellow - Imperial yellow, also called "Chinese Yellow" and "Royal Yellow" is an auspicious colour in Chinese culture.

    It was the colour of Imperial China and the symbolic colour of of the five legendary emperors of ancient China. The colour was used to decorate royal palaces and used in the clothing of the emperors.
  • Overlay Glass - Overlay glass is coloured glass that has been created by sandwiching two or more layers of different coloured glass together. The layers are fused together through a process of heating and melting in a glass furnace, and the resulting glass has a unique colour and depth that is not found in single-layered glasses.

    The technique of overlaying glass has been used for centuries, and was particularly popular in the Venetian glass industry during the Renaissance. Different colours of glass were layered to create intricate designs, and then the layers were carved and etched to create intricate patterns and details.
  • Imperial Yellow - Imperial yellow, also known as "yangqing" in Chinese, is a bright, intense shade of yellow that was historically reserved for the exclusive use of the Chinese imperial family. It was considered the most prestigious and luxurious of all colours, and was used to adorn a wide variety of imperial goods, including porcelain.

    Chinese porcelain decorated with imperial yellow was highly prized, and was often used to create exquisite pieces of imperial tableware, such as plates, bowls, and cups. The use of imperial yellow on porcelain was a symbol of the emperor's power and authority and was intended to impress and intimidate visitors to the imperial court.

    The process of creating imperial yellow porcelain involved a highly complex and labour-intensive process, which was kept secret by the imperial court. The exact recipe for the yellow glaze used on imperial porcelain is still unknown, although it is thought to have been a combination of lead, tin, and antimony, with the addition of a small amount of iron oxide to achieve the distinctive colour.

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