A late 19th century giltwood and composition wall mirror, the…
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A late 19th century giltwood and composition wall mirror, the rectangular plate with an applied oval frame within an rope-twist and bead frame surmounted by a foliate carved crest with central cartouche, 93 cm wide, 126 cm high

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  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Composition - Composition is a material used for dolls, sculpture and furniture. It is a type of composite material made from a mixture of materials such as sawdust, glue, and pigments. It is a popular material for dolls and figurines because it is lightweight and easy to work with. It is also used in furniture-making, particularly in the construction of decorative pieces such as figurines and sculptures. It is less common in high-end furniture as it is not as durable as some other materials such as wood or metal. However, it is a more affordable and accessible option for some types of decorative pieces.
  • Giltwood - Giltwood is used to describe a gold finish on furniture and other decorative wooden items, whereby a thin sheet of gold metal, called gold leaf, is applied to the surface for decorative purposes.

    Unlike gilding, where the gold leaf is applied over a coating of gesso, with giltwood the gold leaf is applied direct to the surface, or over a coat of linseed oil gold leaf adhesive.

    Most gold-finished mirrors will be gilded, whereas furniture with gold highlights will have the gold applied through the giltwood method.
  • Foliate - Decorated with leaves or leaf-like forms.

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