A Hadley's Worcester urn shaped jardiniere by N. White, circa…
click the photo to enlarge
A Hadley's Worcester urn shaped jardiniere by N. White, circa 1900 the waisted body with moulded twin ram's head handles painted with bouquets of roses by N. White, raised on a ringed gilded pedestal on four spreading feet with moulded stylised fleur de lys motifs, 23 cm high. Printed green factory marks and model number 168. Provenance: Private collection NSW

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

Large Japanese Satsuma tripod censer, signed. Width 31 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Minton pink ground pedestal vase, circa 1832-5, with decoration attributed to Thomas steel, the vase of unrecorded shape, with gadrooned rims and enamel gadroons to the lower body, with richly gilded rococo scroll handles and decorated to an octagonal re

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Kutani two piece gilded vase with one floral panel, another panel with two men nurturing a crane & shi shi dog handles set upon a separate tri footed base with pierced floral banding. Signed with five character marks to base. Some damage to the stand. Heig

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Burmese silver lidded Cheroot box, deeply chased with dancing figures to lid, jackfruit finial, 15.5 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.