Faux Bamboo Rush Seat Side Chairs, 19th Century

• Faux - A French word meaning "false", but when used in decorative arts, the intention is not to deceive, but to simulate the decorative effects of the more expensive material it is imitating. The term " faux bois" meaning "false wood" refers to a furniture item that has been decorated with a marked grain (woodgrain finish)  to imitate a more expensive timber.
• Rush Seating - Associated with country style chairs, stools and settees, rush seats are woven from rushes, with the pattern of the weaving often dividing the the chair seat diagonally into four triangles.
  
  The weaving of rushes has been practiced for centuries, and it is believed that some early rush seats of the 18th and 19th century were painted, although common practice now is to leave the rush in its natural state. As the rush ages the colour
  
  Rushes of the type used in Europe for seating are not available in Australia, and instead fibre rush, a man-made product from one-ply twisted paper, is used. Another substitute material is twisted natural sea grass.
  
  Seats in Danish furniture of the 1950s were often finished with Danish cord, a three ply twisted paper cord, which has a similar appearance to rush.
• Faux Bamboo - Faux in French means "artificial" or "imitation", so faux bamboo is imitation bamboo. The wood was turned, notched and painted to look like bamboo. It was a popular design feature in the Regency period and can be seen on many "Chinese Chippendale" pieces.
  
  Influenced by the growing trade with China, the style reached its peak with the Prince Regent's Royal Pavilion at Brighton, designed by John Nash, and built between 1817 and 1822.

This item has been included into following indexes:

• chairs, singles / pairs / threes, style or period - rush-seated 115
• chairs, singles / pairs / threes, timber - faux bamboo 7