A marcsite fleur-de-lys brooch, a marcasite bow brooch and a…
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A marcsite fleur-de-lys brooch, a marcasite bow brooch and a paste set flower head pendant, all circa 1900

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Marcasite - Marcasite is a mineral, iron sulphide, but is rarely used in jewellery. Instead marcasite is the name given to iron pyrites, the mineral sold as marcasite which is identical in copmosition to iron sulphide but crystalises as a cube, making it more suitable for jewellery. It is a brassy yellow in colour and is also known as "fool's gold", and sits well with silver rather than gold becasue of its colour.

    Marcasite has been used in jewellery since ancient times and became popular again in jewellery in the 18th century, continuing through to the early 20th century, with the settings becoming cheaper as time progressed, eventually earning the sobriquet "costume jewellery" along with other cheap jewellery that was made for a prevailing pattern and meant to be changed with each new outfit.
  • Paste / Rhinestone / Diamante - Paste (or rhinestone or diamante) is the name given to a coloured glass composition used for imitation gemstones, or to imitation gemstones made of glass.

    Although the technique of glassmaking had been known for thousands of years, but it wasn't until a lead glass with similar optical properties to diamonds were invented by a German jeweller working in Paris (either "Stras" or 'Strasser") in the early 18th century that "paste" gemstones became popular.

    There was no social stigma attached to wearing imitation stones, and they were worn in situations where highway robbery was a possibility. The 18th century settings were of very high quality, equivilent to real gemstone jewellery.

    In the nineteeth century the quality of paste jewellery declined and it has remained the poor cousin to genuine gemstones ever since.

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