A cold painted spelter figure of a Red Indian attributed to…
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A cold painted spelter figure of a Red Indian attributed to Bergman, Vienna, c.1900, he stands with his right hand raised shading his eyes as he looks forward, bare chested, long feathered headdress, a rifle to his left hand, naturalistically painted, on turned conforming base. Height 21.5 cm

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  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.
  • Cold Painted - This is term applied to so-called "Vienna bronzes" manufactured in that city starting in late part of the 19th century, and it continued in the early 20th century, but was also used by sculptors working in other areas of Europe at the time..

    Traditionally bronzes are finished by treating them with various acids and chemicals and heats, and the patina is incorporated into the surface of the piece.

    A cold-painted bronze is decorated with oil paints. The color was not fired, hence the term "cold painted". Reputedly the painting was carried out mainly by women working at home, a typical cottage industry.

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A Bergman cold painted spelter figure of a Red Indian, made in Vienna c.1900. He stands bare-chested, his hand raised shading his eyes, he wears a feathered headdress and carries a rifle. Naturalistically painted, raised a on turned base. Height 21.5 cm

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