A Pilkington's Royal Lancastrian bottle form vase decorated by William S. Mycock, the compressed spherical body with lustre decoration of a classical standing dragon and an armorial of a knight's helmet and shield amongst entwined flowering tendrils, in lustrous silver highlighted with deep red on a mid-blue ground, the lustrous glazed neck graduating from mid to dark tone, the base with impressed pottery marks and lustre artist's monogram and date 1923. Height 19 cm
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- Lustre Ware - Lustre decoration on ceramics is created by painting a thin deposit of metal oxide such as gold, silver or copper onto the surface, and then firing the item again, so that metal oxide forms a thin film on the surface. The finished effect is a shiny metallic surface. The technique was used in the 19th century by potteries such as Crown Devon, Grimwades, Maling, and Royal Doulton. However the best known use was by Wedgwood for its Fairyland lustre.
- Armorial / Armourial - Bearing a coat of arms. Coats of arms came into general use by feudal lords and knights in in the 12th century, and by the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the higher social classes of Europe. They were inherited from one generation to the next. When a family crest is used on individual items of silver or furniture it is an indicator of the aristocratic standing of the family represented.
Armorials were also used to decorate mass produced ceramic souvenir ware by such companies as Goss, Carlton & Shelley, and in these cases the coats of arms displayed were of boroughs and cities.
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