A cameo glass lamp by Le Verre Francais, France, 1920s, an…
click the photo to enlarge
A cameo glass lamp by Le Verre Francais, France, 1920s, an ovoid and mushroom shaped table lamp on metal foliate feet, acid etched and engraved in a toadstool design in shades of orange merging into oxblood over a thick mottled yellow grey ground with sky blue inclusions, engraved Le Verre Francais to foot, with original electrical fittings. Height 17 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Acid Etched - Acid etching is often used on glass, metals, and stone to create decorative finishes or to prepare the surface for further treatment or coating. The process of acid etching involves applying an acidic solution, such as hydrochloric acid or nitric acid, to the surface of the material and allowing it to react with the surface. The acid etches away a thin layer of the material, creating a rough, uneven finish. Acid etching can be used to create a variety of different finishes, from a subtle matte finish to a more pronounced, textured finish.
  • Inclusions - Inclusions in glass objects refer to small, often irregularly shaped particles or bubbles that are trapped within the glass during the manufacturing process. These inclusions can be intentional or unintentional, and can range in size, shape, and composition.

    Intentional inclusions are often added to the glass for decorative purposes, and can include materials such as colored glass, metallic foils, or even small mementos like photographs or other objects. These intentional inclusions are typically added to the glass while it is still in a molten or semi-molten state and are then moulded or blown into the final shape of the object.

    Unintentional inclusions, on the other hand, are typically the result of impurities or air bubbles that become trapped within the glass during the manufacturing process. These inclusions can be seen as small specks or bubbles within the glass, and can sometimes be a sign of poor quality control during production.

    While intentional inclusions can be a desirable feature of some glass objects, unintentional inclusions can sometimes be seen as a defect, and can reduce the value of a piece. However, in some cases, certain types of unintentional inclusions can actually increase the value of a piece, such as with antique glass that contains bubbles or other imperfections that are characteristic of the time period in which it was made.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.

    The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.
  • Engraved Glass - The method of decorating glass by marking the surface with a sharp intrument such as a diamond, metal needle or rotating cutting wheel. As pressure is applied to the surface, best results for engraving are achieved if the glass is of sufficient thickness. In the 19th century etching was used to decorate some table glassware that was too fine to take an engraving tool.
  • Foliate - Decorated with leaves or leaf-like forms.

This item has been included into following indexes:

Visually similar items

A Royal Worcester vase, painted peacock, heightened in gilt, date code 1905, shape 287B. Height 13 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Royal Worcester specimen vase, painted by Mabel Lander, fluted ovoid shape with slender trumpet neck raised on a circular spreading foot, the body painted with blackberry fruit, blossoms and leaves, Hadley shape 28.1 cm, green mark, c.1904. Professional

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Daum Nancy 'Bleeding Hearts' cameo glass vase, French, circa 1915, the compressed ovoid body with an acid-etched design, on a variegated white ground, incised 'Daum Nancy' and the Cross of Lorraine, 17 cm high. Provenance: Fine and Decorative Art, James

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Chinese early Qing style peach bloom glaze vase. on red ground. Blue Kangxi mark to base. Height 23.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.