A group of five Carlton Ware vases and jars, 1925 and later, an…
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A group of five Carlton Ware vases and jars, 1925 and later, an orange lustre temple jar in 'Magpie' design pattern 2912; a 'Rouge Royale' ginger jar in underglaze 'Duck' pattern 4490; a navy ginger jar with a lilac and gold metallic iris transfer pattern; a lilac ovoid posy vase with underglaze and gilt and enamelled violets; a squat baluster vase in 'Leaf' pattern 3857; all stamped. Height 16 cm. and smaller

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  • Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Lustre Ware - Lustre decoration on ceramics is created by painting a thin deposit of metal oxide such as gold, silver or copper onto the surface, and then firing the item again, so that metal oxide forms a thin film on the surface. The finished effect is a shiny metallic surface. The technique was used in the 19th century by potteries such as Crown Devon, Grimwades, Maling, and Royal Doulton. However the best known use was by Wedgwood for its Fairyland lustre.

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