A Chinese kendi ewer, of typical kendi form with a bulbous body and mammary spout, straight neck and a flared and compressed rim, strongly decorated in emerald and iron red on a beige crackle ground with a continuous scene of a fiery dragons, below a floral collar and spout, the neck and rim with lappet borders. Height 21 cm
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- Emeralds - Emeralds have been used in jewellery making for thousands of years, and are prized for their deep green colour, which is caused by the presence of chromium and vanadium in the mineral beryl. Because of their rare colour, emeralds are often more valuable than diamonds of a similar size and quality. In jewellery making, emeralds are typically cut into round or oval shapes to maximize their color and clarity. They are often set in gold or platinum and used as the centrepiece of a piece of jewellery, such as a ring or necklace. They can also be used in combination with other gems, such as diamonds, to create intricate and beautiful designs.
- Lappet Decoration - In the context of furniture, ceramics, and oriental wares, the word "lappet" refers to a decorative motif that consists of a repeated pattern of stylized or abstracted "lappets."
A lappet in this context is a decorative element that resembles a small, hanging flap of cloth or fabric, but rather are stylized patterns that resemble the shapes and folds of lappets. They can be found on a wide range of objects, including furniture, vases, bowls, and plates.
Lappet decoration can take many different forms, but typically consists of a series of semi-circular or pointed shapes that are repeated in a continuous pattern. The shapes may be simple or highly ornate and may be arranged in a regular or irregular pattern. The design may also include other decorative elements, such as floral or foliate motifs.
Lappet decoration is often associated with Asian design traditions, and can be found on a wide range of objects from these regions, including Chinese porcelain, where lappet decoration is often used as a symbol of abundance and prosperity, and is believed to have protective and auspicious qualities.
- Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.
In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..
Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body.
- Crackles / Cracquelure - In ceramics, crackles may be introduced intentionally during the firing process, as was often the case with Oriental ceramics, and are known as artificial crackles. Natural crackles occur with age, and if the glaze is transparent, may be difficult to detect. Natural crackles may not cover the whole surface of the object and may be uneven in size.
- Crackling and Crackle as a Decorative Technique - Crackle, also known as crackling, is a decorative technique that has been used in China for centuries. It is believed to have originated during the Song Dynasty (960?1279 AD) and was primarily used in the production of ceramics, lacquerware, and furniture. The crackling effect was achieved by applying a glaze or lacquer that was formulated to crack during firing, creating a crackled pattern on the surface of the item.
During the Ming Dynasty (1368?1644 AD), crackle became a highly sought-after decorative technique, and it was used to create intricate and beautiful designs on ceramics and lacquer ware.
In Western decorative arts, crackle / crackling came into use during the Art Nouveau movement in the late 19th and early 20th century. The crackling effect was used to create a sense of movement and fluidity in the design of Art Nouveau pieces.
It was also used in the 1920s and 1930s during the Art Deco movement.
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