A Wedgwood planter, and three jugs, the straightsided planter with chinoiserie patterns in colours and borders, a Burleigh Ware 'Tony Weller' toby jug, a small Royal Doulton character jug and a miniature Limoges jug in mauve with a figural cartouche; backstamps underside. Heights: 12 cm and smaller
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- Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.
In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
- Toby Jugs / Character Mugs - Toby jugs are earthenware jugs depicting the full figure of a person, usually a man, in a three-cornered hat holding a jug, of beer and a pipe or glass. They were first made in the 1760s by Wood family of potters in Staffordshire and the design was copied by other potters in the area, and later elsewhere. They were said to be inspired by song and etching of Sir Toby Phillpot, a legendary 18th century Yorkshire drinker. The style became popularily used to depict other figures including Martha Gunn (the celebrated Brighton bathing woman), The Thin Man, The Drunken Parson, Prince Hal, The Night Watchman and many others. An enormously popular genre, toby jugs have continued to be made, sometimes in porcelain, often in miniature form. Many of the modem versions have been deliberately crazed to appear old. Character jugs have been produced by Royal Doulton since the 1930s: Ronald Reagan appeared in 1984, Sir Winston Churchill in 1940, and John Barleycorn, idiot yokel, was produced from 1934 to 1960. For purists, a jug depicting head-and-shoulders only a 'character mug'.
- Chinoiserie - Furniture and decorative items decorated in imitation of a Western interpretation of the Chinese style. The Chinoiserie style first became popular in the late 17th century, though there were frequent revivals, notably by Chippendale (hence 'Chinese Chippendale') during the Regency period, and the Anglo-Japanese style in the second half of the 19th century.
The ubiquitous 'willow pattern' is the most common 'Chinese' theme used in porcelain, while on furniture the Chinoiserie style usually has black or red painted and lacquered decoration, though the hallmark of the furniture style is the use of fretwork in geometrical patterns, pagodas and other decorative forms.
Japonaiseries, as the name implies, are motifs in imitation of the Japanese taste.
See also "Chinese Chippendale".
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