Antique French mid 19th century ebonized and gilt metal…
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Antique French mid 19th century ebonized and gilt metal girandole with rope twist inlay, approx 79 cm high, 39 cm wide

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  • Girandole - An ornate candle sconce, usually with several lights and combined with an ornate mirror to reflect the light, made to be attached to the wall. Sometimes also used to refer to a mirror with sconces.

    They reached their height of their popularity in England and France in the second half of the 18th century,
  • Girandole -  A girandole is a type of candle holder or candelabra that features several branches or arms for holding candles. It is often used as a decorative piece and can range in design from simple and functional to highly ornate and elaborate. Girandoles can be made from a variety of materials, including metal, glass, ceramic and crystal, and can be found in a range of sizes, from tabletop models to large floor-standing pieces, as well as sidelights on wall mirrors and accessories in a clock set.
  • Parquetry - Parquetry is inlay laid in geometric patterns, the contrast being achieved by the opposing angles of the grain and veneers. The herringbone pattern is the most commonly used in flooring, but this is almost never seen in furniture - the patterns used are more complex and unlike flooring, can include several different varieties of timber.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed

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