A Victorian mahogany framed gentleman's chair, circa mid to late 19th century, of generous proportions having a studded back with scrolled timber side supports, padded arms and a shaped seat and apron, the arm supports, knees and cabriole legs all well carved with scrolls and foliate embellishments; upholstered in pastel floral on pale gold sateen. Height 97 cm. Width 67 cm. Depth 77 cm
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- Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
- Proportions - Essentially, the size of the various parts of a piece of furniture in relation to the whole. Ideally, the proportions should be pleasing to the eye appearing neither top-heavy nor unbalanced and convenient for ordinary use.
- Apron - A decorative wooden panel that sits underneath the top surface of a table or chair, and unites the top of the piece with the legs, running at right angles to the underside. On carcase furniture such as a chest or wardrobe, the apron sits below the drawers or doors and attaches to the legs.
On carcase furniture without legs the panel under the drawers or doors sits on the floor and is termed a plinth.
An apron can provide a decorative touch to an otherwise unadorned piece of furniture and at the same time provide structural support and strength. They can be carved or pierced and quite elaborate.
- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
- Scrolls - Serpentine-shaped forms, used in cabinet construction and decoration for centuries. The scroll appears in legs, feet, as carving in chair brackets, chair rails and arms. The deeper and more spontaneous the carving is, the earlier the piece is likely to be. The Regency or 'Thomas Hope' scroll, used on pediments and sideboard backs, consists of two scrolls on the horizontal plane, placed back to back in a mirror image, and sometimes decorated with a variety of carved and/or applied ornament, such as shells, foliate and other motifs. Chippendale-style furniture is often distinguished by two corresponding scrolls in the form of a 'C' in the upper splat or where chair legs join the seat rail.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.
First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
- Foliate - Decorated with leaves or leaf-like forms.
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