Blue Enamel Peacock Feather Snuff Box, Hanau 1790

• Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.
  
  In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.
  
  The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.
  
  The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
• Shagreen - Shagreen is the untanned smoothly pebbled textured skins of rays, sharks or dogfish. In finishing, it is dyed, mostly green, but the colour often fades to a cream colour. Shagreen was a popular material in Europe during the Art Deco era, when designers sought to mould the French tradition of luxury with exotic and precious materials. Most collectable items made from shagreen are smaller objects, like glasses cases, dagger and sword hilts, dressing accessories, boxes and picture frames.
• Foliate - Decorated with leaves or leaf-like forms.
• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
• Guilloche - A form of classical decoration consisting of a repeating ornament of interlacing curved bands, sometimes forming circles, and further decorated with rosettes or other flower forms.
  
  The name is derived from the inventor, French engineer Guillot, who invented a mechanical method of inscribing fine repeating patterns on to metallic surfaces.
  
  On enamelled items with guilloche decoration, the surface is firstly engraved with the repeating pattern, and then covered with several layers of enamel, each of which is fired.
  
  Where the item has not been enamelled the form of decoration is usually called "engine turned".
• Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.

This item has been included into following indexes:

• Hanau, Germany - precious objects 74
• snuff boxes, material
  • enamel 57
  • gold 76