An Italian polychrome painted commode, 18th century, the…
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An Italian polychrome painted commode, 18th century, the painted faux marble serpentine top, above two long drawers painted with gilt rocaille cartouche and sprays of polychrome flowers and birds, gilt borders, all to rustic red diaper ground, on cabriole legs and hoof feet, 98 cm high, 137 cm wide, 64 cm deep

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  • Commode - The word "commode" when used to describe an item of furniture, has three usuages:

    1. As used to describe an item of English furniture, it refers to what is euphemistically called a 'night table', that is a small cabinet concealing a chamber pot.

    2. In its 18th century French usuage it describes a low and highly decorated chest of drawers for salons and reception rooms. A bombe commode is a commode with rounded sides and front, giving the chest a somewhat swollen look.

    3. It is also used to denote a half round or serpentine shaped cabinet, with panelled doors, standing on legs. They were pieces on which the cabinetmaker lavished his most accomplished art, with rich veneers, marquetry inlays, gilt mounts and other ornamentation.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
  • Polychrome - Made or finished in many colours. For furniture, it is used to indicated a painted finish.
  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Rustic - Rustic is defined as "of, relating to, or typical of country life or country people", and the items illustrated in this price guide accord with that definition.

    But in the 18th and 19th century "rustic furniture" had a narrower definition. It referred to furniture where the framework was carved or moulded to resemble tree trunks and branches, and was usually for outdoor use. Rustic furniture was made in cast iron, wood, terracootta and concrete. Much of the Coalbrookdale company's cast iron furniture was of rustic design.
  • Faux - A French word meaning "false", but when used in decorative arts, the intention is not to deceive, but to simulate the decorative effects of the more expensive material it is imitating. The term " faux bois" meaning "false wood" refers to a furniture item that has been decorated with a marked grain (woodgrain finish)  to imitate a more expensive timber.
  • Hoof Foot - A hoof foot, resembling an animal's hoof was sometimes used at the termination of a cabriole leg.
  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Diaper Motif - The diaper motif is a repeating geometric pattern in decorative arts that consists of small diamond or lozenge shapes arranged in a grid. The pattern is often used as a background or border on textiles, ceramics, metalwork, and other decorative items. It can be found in a variety of cultures and historical periods, and is often used in formal or ornamental designs. The name "diaper" comes from the pattern's resemblance to the criss-crossed fabric of a baby's diaper.

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