A French marble and ormolu Empire style figural clock, circa…
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A French marble and ormolu Empire style figural clock, circa 1850-1860, a fine eight day clock with silk suspension having an enamel dial with Roman numerals set within a 'Ruined' antique plinth surmounted by a Roman figure of literature, raised upon a black marble stepped base with refined decorative borders and a shaped apron with scrolled acanthus and a central fan motif; in working order. Height 52 cm. Width 37.5 cm. Depth 14 cm

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  • Empire Style - The Empire style was a version of neo-classicism popular from 1800 to 1830, coinciding with the rule of Napoleon I from 1840-15. In England the style corrosponds with the Regency style and in the United States to the Federal style.

    The style is inspired by classical Rome and Greece, as reflected in the decorative motifs in the the design such as paterae, guilloches, acanthus and swags, and pieces are lavishly decorated with applied gilded decoration.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.

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