Dimpled Sterling Silver Coffee Pot by Stuart Devlin

• Devlin Stuart - Stuart Devlin was born in Geelong, Victoria, Australia and trained as an art teacher, after which he taught for 5 years and then studied gold and silversmithing, firstly in Melbourne and then at the Royal College of Art in London from 1958. He spent two years at Columbia University where he developed a career as a sculptor.
  
  He returned to his teaching position in Melbourne in 1962 and was appointed Inspector of Art Schools.
  
  In 1963 a competition was held to design the new Australian decimal coinage that was to be introduced in 1966. The new decimal coins were to replace the pre decimal coinage that had been in circulation since 1910. Six competitors vied for the honour of designing these new coins.
  
  Devlin was announced the winner of the competition with designs that featured Australian native fauna on the new coins, with the 1c coin featuring the feather-tailed glider, the 2c a frilled neck dragon lizard, 5c a spiny echidna, the 10c a lyrebird, the 20c duck billed platypus and the 50c Australian Coat of Arms. The 1,c and 2c coins are no longer in circulation. A $1 coin also designed by Devlin and featuring the kangaroo, was introduced in 1984
  
  In 1963 He became involved in the project to design Australia's decimal currency, and during this period he decided to relocate to London and establish himself as a silversmith.
  
  He adapted his knowledge of sculpture into the designs he created for his showroom in Conduit Street in London's West End, which he occupied from 1979 to 1985. His output included limited editions which appealed to longer term collectors, such as Easter eggs and Christmas boxes.
  
  His design skills have extended to furniture, jewellery, clocks, centrepieces, goblets, candelabra, bowls, and insignia.
  
  Following his successful design on Australia's decimal currency, he has designed coins and medals for 36 countries.
  
  He was Prime Warden of the Goldsmith's Company 1996-97 and in 1982 was appointed as goldsmith and jeweller to Queen Elizabeth II and in 1998 he was appointed a member of the Royal Mint Advisory Committee on the Designs of Coins, Medals, Seals and Decorations.
  
  In 2000 he designed 25 coins for the Sydney Olympic Games including the Silver Kilo Olympic Masterpiece, the largest Olympic coin ever made, and the first to show all Olympic sports. He was also awarded an honorary doctorate from RMIT in 2000.
  
  His work is displayed in the Victoria and Albert Museum as well as numerous Australian museums including Powerhouse Museum, Sydney, Museum Victoria and the National Gallery of Victoria.
  
  He was awarded a Companion of the Order of St Michael and St George in the UK in 1980, and an Order of Australia in 1988.
• Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
• Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
• Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.
  
  The hallmark will consist of several marks, including the:
  
  - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.
  
  - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.
  
  - the date mark, usually a letter of the alphabet in a particular font and case,
  
  - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890
  
  The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.
  
  Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.

This item has been included into following indexes:

• coffee pots - silver items 480
• Devlin, Stuart (Australia, England) - silver, maker or retailer 172