A fine Jasperware vase. Mid 19th century, in the manner of…
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A fine Jasperware vase. Mid 19th century, in the manner of Turner or Adams, the baluster vase upon a circular foot with a short stem and shaped collar neck and cup shaped rim, in rich cobalt and beautifully sprigged with a grapevine frieze, and to the collar a border of pendant leaves, with an impressed 'W' and '1,400' underside. Height 16.5 cm

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  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Grapevine Motif - The grapevine motif is a decorative design that features grapevines, leaves, and grapes and is commonly used in various forms of art and decoration, including jewellery, textiles, pottery, and architecture.

    In jewellery, the grapevine motif is often used to create decorative elements such as pins, brooches, necklaces, and bracelets. The design can be executed in a variety of materials, including precious metals such as gold and silver, and can be embellished with gems or enamel.

    The grapevine motif is a popular symbol in many cultures, representing abundance, prosperity, and fertility. In ancient times, grapevines were associated with Dionysus, the Greek god of wine and celebration, and were used to decorate wine vessels, temples, and other sacred objects.

    In addition to its cultural significance, the grapevine motif is also appreciated for its aesthetic appeal. The intertwining branches and clusters of grapes create a graceful, flowing design that is both beautiful and versatile. Whether used in jewellery, textiles, or other forms of decorative arts, the grapevine motif continues to be a popular and enduring symbol of abundance and prosperity.
  • Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.

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