Two silver Lockets and a brooch, the largest locket made in…
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Two silver Lockets and a brooch, the largest locket made in sterling silver, oval shaped and decorated with a fancy lily enamelled panel detail, hinged and fitted with large bail, the second locket of stylised book form, finely enamelled to front in guilloche style of pale blue, finally a silver hallmarked bar brooch set with five paste stones

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  • Guilloche - A form of classical decoration consisting of a repeating ornament of interlacing curved bands, sometimes forming circles, and further decorated with rosettes or other flower forms.

    The name is derived from the inventor, French engineer Guillot, who invented a mechanical method of inscribing fine repeating patterns on to metallic surfaces.

    On enamelled items with guilloche decoration, the surface is firstly engraved with the repeating pattern, and then covered with several layers of enamel, each of which is fired.

    Where the item has not been enamelled the form of decoration is usually called "engine turned".
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Paste / Rhinestone / Diamante - Paste (or rhinestone or diamante) is the name given to a coloured glass composition used for imitation gemstones, or to imitation gemstones made of glass.

    Although the technique of glassmaking had been known for thousands of years, but it wasn't until a lead glass with similar optical properties to diamonds were invented by a German jeweller working in Paris (either "Stras" or 'Strasser") in the early 18th century that "paste" gemstones became popular.

    There was no social stigma attached to wearing imitation stones, and they were worn in situations where highway robbery was a possibility. The 18th century settings were of very high quality, equivilent to real gemstone jewellery.

    In the nineteeth century the quality of paste jewellery declined and it has remained the poor cousin to genuine gemstones ever since.

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