A hook figure (garra), Bahinemo People, Hunstein Mountains, Papua New Guinea, (mid twentieth century), carved hardwood and natural earth pigments, 95.2 cm high. Garra figures of the Bahinemo people represented ancestral spirits which were essential in hunting and in warfare. The hooks are seen as stylized hornbill beaks which, aside from their decorative aesthetic, relate to the soul, the ancestor and the spirit world. Garra are carried in the hands of male dancers during initiation ceremonies and the rest of the time were hung from the rafters in the Men's House. Provenance: Private Collection, Victoria
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Hornbill - Oriental antique descriptions occasionally refer to "hornbill" or "hornbill ivory" as the material from which the object is made. In fact the hornbill is a large bird, the helmeted hornbill, found in a few South-East Asian countries, and the name is also applied to the material obtained from a growth on the upper section of the beak of the bird, known as a casque.
In its natural form it is a yellow colour, but when the hornbill rubs its beak while preening its feathers, the growth turns a red colour.
As well as being used as a carving material in areas where the bird is found, hornbill became popular as a carving medium with the Chinese in the 19th century, and it was prized (and priced) ahead of ivory and jade.
The helmeted hornbill is listed in Appendix 1 of CITES, (Convention on International Trade in Endangered Species) meaning that trade in hornbill objects requires import and export permits.
the s natural ivory from the bird, native to Indonesia. The hornbill is now an endangered species, but due to the apparent age of the jewelry, this item would be legal for trade. Hornbill ivory is not a true ivory as it is not a dentine material, but rather a keratin. Hornbill ivory of this nature was often carved from the lower layer of the hornbill casque for the western market. The upper area, with a strong red coloration, was traded to the Eastern market. The upper areas of these pieces yet show some of the red coloring. The rest is in the strong yellowish color of natural hornbill.
This item has been included into following indexes: