A rare Queen Anne silver porringer, Britannia standard,…
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A rare Queen Anne silver porringer, Britannia standard, tapering cylindrical shape with part fluted lower body, central relief rope twist band, the oval cartouche initialled and dated 1725 capped with a cupid mask, two scroll handles. London 1707 by John Gibbons. Weight 285gms. Diameter 11.6 cm

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  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Britannia Standard - A higher grade of silver than sterling silver. Britannia standard silver contains at least 958 parts per thousand of pure silver, while sterling silver contains at least 925 parts per thousand of pure silver.

    The Britannia standard was obligatory in Britain between 1697 and 1720 and after that was optional, so there are very few silver items that come onto the market that are Britannia standard.

    Not to be confused with silver plated Britannia metal items, often marked as "EPBM", a pewter type alloy, that when unplated can be temporarily polished to a silver-like lustre.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

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