A rare Georgian Chippendale mahogany chest on chest, the top section with two small drawers and three graduated full width drawers, the base with brushing slide and three graduated full width drawers, flanked by blind fretwork, the architectural 'breakarch' pediment with dentil moulding, original gilt metal handles and keyhole escutcheons, oak linings, bracket feet. Good colour and patina. With key. Ex. Longuet-Higgins. 106 cm x 55 cm x 220 cm
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- Fretwork - Pierced intricate decorative patterns, cut with a fine saw and generally found around the galleries of desk tops, open-hanging shelves and small tables.
In open fret, the timber is completely pierced, giving an appearance of great lightness and delicacy.
With blind fret, as seen in Chinoiserie styles of Chippendale, the fretwork is applied like a moulding to a solid panel.
- Bracket Feet - On bracket feet the corner edge is square and joined by a mitre to its partner on the opposite angle. The inner edge is usually shaped or scalloped. Bracket feet were first introduced in the early 18th century and used until c. 1830 and are found on carcase furniture such as chests, cabinets, bookcases and bureaux.
Ogee bracket feet, a variation on straight bracket feet, have the outside edge forming an "S" shaped curve with the top bulging outward and the bottom turning inward.
On splayed bracket feet, the exterior edge curves outward.
- Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.
As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.
Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation.
- Escutcheons - An escutcheon is a plate, made of brass, wood, ivory or ebony, which fits into or over the h keyhole, to protect the edge of the timber keyhole from damage by continual insertions of the key. As a general rule you would expect these escutcheons to be sympathetic in design to the handles of the piece. From the early 19th century escutcheons were sometimes made from ivory, ebony, bone or contrasting wood, often cut in a diamond or shield shape and inlaid into the front. Ivory, in particular, will tend to discolour with age, and certainly should not show up as brilliantly white.
- Dentil Moulding - An architectural ornamental feature found on furniture, usually directly beneath the upper mouldings on a cornice. The timber is cut in a series of deep rectangular sections, alternatively raised and flat, like the crenellation on a castle battlement. In appearance not unlike a row of small teeth. From the latin "dens", teeth. Most commonly seen on bookcases, chests and cabinets, and less frequently on desks and wardrobes.
- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
- Pediment - The uppermost section of a tall usually double-heightened piece of cabinet furniture, surmounting the cornice. The pediment can take a variety of forms derived from the architecture of classical antiquity. A broken pediment is of triangular shape, however, the two raised sides do not meet at the apex but are 'broken' the gap between them often ornamented with an urn or finial. Swan-neck pediments are of similar form, although the uprights are gracefully arched, resembling a swan's neck. They are often found, for example, on longcase clocks.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
- Brushing Slide - A brushing slide is a sliding shelf between the top drawer and the top surface of a chest of drawers or desk, or above the middle drawer of a tallboy. It could be pulled out to provide a surface on which clothes could be laid out for brushing prior to wearing, for folding clothes or for writing, though Sheraton also refers to it as a 'writing slide'.. A brushing slide is found mainly on 18th century chests of drawers, and is regarded as a key indication of period.
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