George III longcase clock, the arched hood with three eagle and…
click the photo to enlarge
George III longcase clock, the arched hood with three eagle and orb brass finials, fluted column supports, the arched painted dial with moonphase, Roman numerals, subsidiary second and calendar dials, in mahogany and inlaid case by Eli Tremfell of Lanham

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
  • The Eagle - The eagle has been a symbol of power, victory, and strength for centuries. It is often associated with bravery, prowess, and dominance, and has been used as a symbol by many cultures and civilizations throughout history.

    In ancient Greece, the eagle was associated with the god Zeus, who was considered the king of the gods and the ruler of the skies. In many cultures, the eagle was seen as a messenger between the physical world and the spirit world, and was associated with the sun and the sky.

    In the Roman Empire, the eagle was the symbol of the Roman army, and was displayed on the standards of the soldiers to show the power and authority of the empire. In medieval Europe, the eagle was used as a symbol of power and victory by monarchs and rulers, and was often depicted in art and architecture as a symbol of strength and courage.

    In modern times, the eagle continues to be a symbol of power, victory, and strength. It is often used as a symbol by nations and organisations, and is frequently depicted in art and on monuments to commemorate important events and achievements.

    The eagle's powerful appearance, combined with its association with freedom, courage, and dominance, makes it a popular and enduring symbol of power and victory.
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
  • Hood - In longcase clocks, the hood is the wooden case that surrounds the works and dial, and includes the glass front, which is usually hinged, so the door can be opened to wind the clock or adjust the time. In 18th and 19th century longcase clocks the hood usually slides forward for removal, allowing access to the works.

This item has been included into following indexes:

Visually similar items

A mahogany longcase clock by Percival Mann, London, circa 1790, contained within a mahogany case the swan neck pediment carved with fret work and rosettes, the hood and case with reeded pilasters, the glazed hood enclosing an arch dial with moon face marke

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A 19th century long case clock, with a painted Arabic numeral dial, and an anchor escapement on one bell, 237 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George II mahogany longcase clock, Skeleton Barrett, London, circa 1740 8-day, silent/strike, five pillar movement with anchor escapements and rack striking on a bell, brass dial with silvered chapter ring, Roman numerals, and rococo spandrels, matted br

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George III mahogany longcase clock, the dial signed William Lee, Leicester the brass Roman numeral dial with subsidiary seconds dial and calendar, housing an anchor escapement on one bell, 223.5 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.