A fine and elegant mid Victorian crystal chandelier, circa 1860,…
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A fine and elegant mid Victorian crystal chandelier, circa 1860, the English chandelier with cascading strung prisms to lower lustre embellished basket, having a central knopped stem with rare white frosted glass, garlands of drops and four arms each adorned with lustres; converted from gas to electricity, fully restored and rewired. Height 113 cm. Width 60 cm

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  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Lustres on Chandeliers and Candelabra - Lustres, as seen on candelabra and chandeliers are the glass or crystal drops or pendants that hang from the arms or branches of the fixture. They are often arranged in a decorative pattern and can range in size and shape, from small teardrops to large spheres.

    Lustres are designed to catch and refract light, creating a sparkling, shimmering effect. The drops are typically made of cut glass or crystal, which has a high refractive index, meaning that it bends and reflects light in a particularly beautiful way. The drops may be clear or coloured, and may be smooth or faceted.

    Lustres have been used in chandeliers and candelabra for centuries, and were particularly popular during the Baroque and Rococo periods. They continue to be used today in both traditional and modern lighting designs, adding a touch of glamour and sophistication to any space.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.

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