A Louis XV style giltwood canape, the canape with a foliate and…
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A Louis XV style giltwood canape, the canape with a foliate and serpentine frame with crest, padded back and squab seats to a decorated apron and cabriole legs, upholstered in sage green rococo patterned fabric. Height 83 cm. Width 172 cm. Depth 58 cm

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  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Squab - A loose cushion that fits onto the seat of a chair or settee, and can be removed. Originally the squab was constructed from horsehair, then later coconut fibre.
  • Apron - A decorative wooden panel that sits underneath the top surface of a table or chair, and unites the top of the piece with the legs, running at right angles to the underside. On carcase furniture such as a chest or wardrobe, the apron sits below the drawers or doors and attaches to the legs.

    On carcase furniture without legs the panel under the drawers or doors sits on the floor and is termed a plinth.

    An apron can provide a decorative touch to an otherwise unadorned piece of furniture and at the same time provide structural support and strength. They can be carved or pierced and quite elaborate.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Rococo - A stylistic development covering the period from about 1730 to 1770, during the reign of Louis XV in France. The rococo style falls between the rather overbearing manner of the Baroque and the formal elegance of Neoclassicism. The Rococo style reached its full maturity in France, though many of its features were used by English furniture makers. The style is marked by asymmetrical forms, especially pierced and intricate scroll work as in mirror frames, chair backs etc., and the use of shells and floral motifs. The term derives from the French 'rocaille', meaning rock work, as in gardens and fountains. There was a major Rococo revival in the mid-19th century and indeed much of what is now considered to be typically Victorian furniture is influenced by the Rococo. It is essentially feminine in feeling, and for this reason, perhaps, was regarded as rather frivolous by its successors.
  • Giltwood - Giltwood is used to describe a gold finish on furniture and other decorative wooden items, whereby a thin sheet of gold metal, called gold leaf, is applied to the surface for decorative purposes.

    Unlike gilding, where the gold leaf is applied over a coating of gesso, with giltwood the gold leaf is applied direct to the surface, or over a coat of linseed oil gold leaf adhesive.

    Most gold-finished mirrors will be gilded, whereas furniture with gold highlights will have the gold applied through the giltwood method.

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