A Swedish Empire gilt bronze mounted flame mahogany pier mirror…
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A Swedish Empire gilt bronze mounted flame mahogany pier mirror and console the two sectional mirror plate within a columnar surround, beneath a shaped pediment and gilt bronze lyre and acanthus leaf trophy, the rectangular lower section above a demi-lune foot, 91.5 x 269 x 42.5 cm

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  • Lyre - Attributed to the 18th century designer Robert Adam, the back splat of a chair or sthe supports of a table are in the form of a lyre, a Greek musical instrument similar to a harp.

    In shape it resembles two reversed scrolls.

    Chairs continued to be made in this style for at least the next fifty years.

    In Australia many cedar chairs and tables have survived dating to the 1830s and 1840s, featuring the lyre shape in the back splats and as supports for small tables.
  • Pediment - The uppermost section of a tall usually double-heightened piece of cabinet furniture, surmounting the cornice. The pediment can take a variety of forms derived from the architecture of classical antiquity. A broken pediment is of triangular shape, however, the two raised sides do not meet at the apex but are 'broken' the gap between them often ornamented with an urn or finial. Swan-neck pediments are of similar form, although the uprights are gracefully arched, resembling a swan's neck. They are often found, for example, on longcase clocks.
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Lyre Motif - The lyre motif is an ancient decorative design that is believed to have originated in ancient Greece, where the lyre was a popular musical instrument. The lyre itself was often decorated with ornate carvings and designs, including the iconic lyre motif.

    In ancient Greek mythology, the lyre was associated with the god Apollo, who was the patron of music and the arts. The lyre was said to have been invented by the god Hermes, who presented it to Apollo as a gift. As a result, the lyre became a symbol of creativity, inspiration, and artistic expression.

    The lyre motif typically features a curved or S-shaped body, with strings extending upwards from the base. The motif was often used in architectural decoration, as well as on pottery, jewellery, and other decorative objects.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

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