A 19th century French marble and figured spelter mantel clock,…
click the photo to enlarge
A 19th century French marble and figured spelter mantel clock, the black and mottled red marble dial with gilded Roman numerals held within a rectangular kennel form housing, two model spelter borzoi hounds issue, one to each side, chained to finials protruding from the front, the flat serpentine top panel with a central raised boss and three finials, the platform base with raised red marble panels, jaguar mask and scrolling pad feet to the front, the quality 8-day French movement striking on a bell. Provenance: from the collection of horologist George Foster, Christchurch, sold by auction 1998. 38 cm x 19 cm x 29 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Boss - A boss is small round or oval decorative device, used as ornament in Neo-classical style furniture, ceramics, sculpture and other decorative arts. They are usually applied to the surface in the form of stylized rosettes, but in the best pieces they are carved directly into the surface. Also known as paterae (or patera) or rosettes.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.

This item has been included into following indexes:

Visually similar items

Ansonia open escapement mantel clock. Black japanned cast iron base, mounted with classical figure of the arts in spelter. Key available. Operating, but unserviced. Height 41 cm width 52 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A rouge marble and gilt bronze mantle clock signed Chaude, Palais Royal, French, circa 1865, 42 cm high, 27 cm wide, 19 cm wide

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A continental single weight wall regulator clock. 98 cm high.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A late 19th century French porcelain inset gilt bronze mantel clock, with a Roman numeral dial, anchor escapement, count wheel strike on one bell, inset with panels depicting courting couples and foliate cartouches, 34.5 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.