A pair of carved, gilded and limed wooden wall sconces, in the…
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A pair of carved, gilded and limed wooden wall sconces, in the George III style, English, 19th century. 80 cm high

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  • Limed / Cerused Finish - A process for finishing timber whereby the surface was covered with a coating of lime, which was subsequently brushed from the surface, but allowed to remain in the grain. The resulting surface with its streaking and speckling of white was usually left unpolished. The finish was popular for French furniture in the late 19th century, and English cottage style furniture in the early 20th century. Oak timber was popular for liming because its open grain retained a larger amount of the lime than other close grained timbers.

    Nowadays the same effect can be achieved by use of paint, or proprietry solutions for "liming".
  • Sconce - A light attached to a wall. Originally a candle holder that is attached to a wall with an ornamental bracket and sometimes with a reflective back plate, but now applied to an electric light that has been inspired by that design.

    In recent times the word has also come into use to desribe the candle holders on a candelabra.
  • George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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