Indian Padouk Grecian Chairs, Bombay circa 1830

• Foliate - Decorated with leaves or leaf-like forms.
• Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
• Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
• Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
• Padouk - Padouk is a richly coloured dense and heavy timber, varying in colour from dark crimson to brown and red, found in Africa and Asia. It was often used as a furniture timber in India, for making furniture in the Anglo-Indian style. Padouk was also imported into England and France in small quantities in the 18th and 19th centuries, and occasionally English and French examples of furniture made of this timber come onto the market.
• Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
• Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.
  
  Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.
  
  This type of seat was known as an over-upholstered or over-stuffed seat.
• Horsehair - Horsehair fabric is a woven textile made from the mane and tail hair of horses, used in upholstery in the 19th century, when it was a staple of high-end furniture production.
  
  The hair is collected from horses by grooming or clipping the mane and tail. It is then washed and sorted, with longer strands usually reserved for the warp (lengthwise) threads and shorter ones for the weft (crosswise) threads. The horsehair is then spun into yarn and woven into a durable, tightly-woven fabric with a distinctive texture. Horsehair fabric has a natural lustre and is known for its resilience and durability, making it an ideal material for upholstery.
• Ackermann, Rudolph - Rudolph Ackermann (1764 - 1834) was born in Saxony and is best known as a publisher of decorative coloured prints in London.
  
  His early career demonstrated an entrepreneurial bent that was to lead to his success as a businessman in London.
  
  At the age of 15 he was apprenticed to a saddler, and three years later moved to Dresden to train as a (horse-driven) carriage designer.
  
  He later lived in Switzerland, France and Belgium for short periods, before moving to London in 1787.
  
  He set up a successful business as a coach designer and decorator and in 1795 diversified his interest to include publishing and bookselling. His first decorative hand-coloured prints appeared in 1797. His output included political and social caricatures by leading artists of the day.
  
  From 1809-1829 he published "Ackermann's Repository of Arts", an illustrated annual British periodical which covered arts, literature, commerce, manufactures, fashions, and politics, and had great influence on English taste in fashion, architecture, and literature.
  
  His most ambitious venture was "The Microcosm of London". Which was completed in 1810 in collaboration with leading artists of the day, and contained 104 large folio hand-coloured aquatints.
  
  In the following years he published further volumes, again working with artists such as William Pyne, established branches of his business in several Central and South American cities, and set up a publishing business for his son, also called Rudolph, one of his nine children in Regent Street, London. This business was taken over by Rudolph Junior's son Arthur, and was later renamed Arthur Ackermann Ltd. and was trading as fine art dealers until 2011.
  
  His death in 1834 was preceded by a stroke in 1833 which left him partly paralysed.

This item has been included into following indexes:

• Anglo-Indian
  • furniture, chairs 63
  • furniture, tables 74
• chairs, singles / pairs / threes, style or period
  • Colonial 118
  • Georgian 222
  • kauri timber 237
• furniture, material or decoration - padouk wood 40