William Shippen, MP and Jacobite Leader Portrait
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attributed To Enoch Seeman Portrait of William Shippen Esquire MP oil on canvas bears inscription upper right 'William Shippen/Esquire. MP./ Pope's 'Downright Shippen', Born 1672/M.P. for Bramber 1707/A Leader of the Jacobite Party,/committed to the Tower 1717, Died 1743' bears exhibition label verso 126 x 100.5 cm. Provenance: F.Laybourne Poppan Private Collection Melbourne William Shippen (1673-1745), was a barrister, MP for Newtown, near Warrington, Lancashire, and a well known Augustan wit and poet. A Tory and moderate Jacobite he found himself in opposition to the Hanoverian-Whig government, and in 1717 suggested that a royal speech seemed rather too calculated for the meridian of Germany than of Great Britain, and that the king was a stranger to our language and constitution, for this indiscretion George I had Shippen committed to the Tower of London, winning him immortality in Alexander Pope's 'Imitations of Horace' as 'downright Shippen'. Sitter is identified by a document on the table in the portrait this work, attributed to the Georgian portraitist Enoch Seeman (1694-1745), was formerly in the collection of the Leybourne-Popham family of Littlecote House Wiltshire, and was included in the encyclopaedic National Portrait Exhibition at South Kensington Museums in 1866-67 Exhibited National Portrait Exhibition, 1867 cat G.I (bears label on reverse)
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- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
- Verso - Verso is the "back" side of a sheet of paper, art work, coin or medal. The front side is "recto".
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
This item has been included into following indexes:
- oil paintings 3,418
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