Royal Worcester blush ivory rose jar with gilded lid finial…
click the photo to enlarge
Royal Worcester blush ivory rose jar with gilded lid finial (restored), the neck reticulated, two C-scrolled handles are in the form of acanthus leaves with gilded adornments on a cream ground body decorated with flowers & foliage. A nipped waist on a circular base with a gilded collar .puce factory mark. Crown over circle dots. Stamped 'Royal Worcester England. Rd.no.292,750. 1927.' date code for 1897. Height 22.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Registered Numbers - Between 1842 and 1883, a diamond- shaped mark was used to identify items as British-made, which classified the item according to the material from which it was manufactured, as well as the date of registration. This system was discontinued in 1884 when a numbering system was introduced.

    Design registration is for "what and item looks like", and is not a patent ("how something works") or trade mark ("what it is called").

    The registered number is usually on an under-surface of an object (on the base of ceramics) and oftern shown as "Rd. No. 99999", sometimes surrounded by a rectangular box.

    The table below lists the year, and the first registered number for that year:

    1884 1

    1885 18,993

    1886 39,547

    1887 61,207

    1888 87,266

    1889 111,664

    1890 140,481

    1891 160,613

    1892 183,259

    1893 203,348

    1894 223,861

    1895 244,726

    1896 266,237

    1897 288,848

    1898 309,956

    1899 328,527

    1900 349,120

    1901 367,628

    1902 380,979

    1903 401,944

    1904 422,489

    1905 428,004

    1906 469,160

    1907 486,464

    1908 516,375

    1909 533,561

    1910 546,084

    1911 561,570

    1912 585,707

    1913 608,541

    1914 627,887

    1915 642,613

    1916 651,079

    1917 655,001

    1918 662,576

    1919 665,728

    1920 664,869

    1921 676,491

    1922 685,412

    1923 691,571

    1924 695,944

    1925 705,943

    1926 716,386

    1927 723,430

    1928 725,899

    1929 740,459

    1930 741,336

    1931 757,945

    1932 767,110
  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.

This item has been included into following indexes:

Visually similar items

Royal Worcester vase and cover stained ivory ground painted with flowers with moulded gilt handles. Puce mark 1902, shape 1927. 22 cm high.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Royal Worcester twin handled urn & cover ovoid body painted with highland cattle, signed H Stinton, 28 cm height

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Scottish hallmarked sterling silver William IV teapot with etched floral design, loose handle. Glasgow, 1835, maker Robert Gray & Son. Height 21 cm. Weight 894g

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A brass and copper samovar height 42 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.