Sheraton revival music cabinet, inlaid rosewood, English, late…
click the photo to enlarge
Sheraton revival music cabinet, inlaid rosewood, English, late 19th century. Height 136 cm, width 57 cm, depth 34 cm.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Rosewood - A dense timber that varies in shade to very light brown to almost black. When rosewood is cut and sanded the colour of the timber will turn black, and after polishing and exposure to daylight, the surface will gradually lighten over time to light brown with black streaks.

    The name comes from the odour emanating from the timber when it is planed, sanded or cut.

    Rosewood was very popular for use in Victorian furniture in the second half of the 19th century, and at that time most of the rosewood was imported from Brazil. However it also grows in India and Indonesia.

    It is used in the sold for chairs and table legs, but for carcase furniture such as side cabinets and bookcases, and for table tops it is always used as a veneer.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
  • Thomas Sheraton - Thomas Sheraton (1751-1806) was born in Stockton on Tees in the north of England. He was apprenticed to a local cabinetmaker and after working as a cabinetmaker, Sheraton moved to London about 1790. Although he described himself as a cabinet-maker, like Chippendale, no definite piece of furniture can be traced to him as maker. Nevertheless, he was immensely influential and in 1791-4 published his four volume book 'The Cabinet-Maker and Upholsterer's Drawing Book'. The books were used as source of design by the furniture-making trade , who often simplified or modified the designs to suit their own preferences. Sheraton furniture is marked by restraint and sophistication, elegance and discretion, though he also found time to invent fanciful combination furniture.

This item has been included into following indexes:

Visually similar items

A James II oak coffer, typical in design featured a geometric panelled front

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An Australian cedar chiffonier, circa 1850, the back with single shelf and scrolling anthemion above a rectangular top with single frieze drawer and two cupboard doors with pointilated arch panels raised on toupie feet, 111 cm wide, 50 cm deep, 148 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George III mahogany wine cellaret late 18th century the interior with nine bottle compartments height 53 cm, width 47 cm, depth 42 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Arts & Crafts oak Gothic revival desk with inset green baize top, two frieze drawers, cupboard to one side enclosed by carved foliate panel door, twin spiral fluted uprights to the opposite end joined by a plain stretcher, original brass lock plates

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.