Leon Benouville (1860-1903) Art Nouveau inlaid side table, c.…
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Leon Benouville (1860-1903) Art Nouveau inlaid side table, c.1900. Exotic mixed hardwoods with hammered brass mounts. Height 73.5 cm; top: 65 x 43 cm

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  • Mounts - Mounts are used to describe bronze, brass and ormolu adornments on furniture especially quality furniture in the rococo and classical revival style, and are also the cabinet makers' name for the metal fittings on furniture, such as hinges, locks and handles, and metal edges and guards which protect furniture from damage.
  • Hammered - A hammered finish on metal wares is achieved by striking the surface of the metal with a hammer to create a series of small, uniform indentations. The indentations can be made in a variety of patterns and depths. The resulting surface texture can vary from a subtle, almost imperceptible texture to a highly textured surface with a strong, pronounced pattern.

    The hammered finish adds texture and visual interest to metal objects such as bowls, vases, and other decorative items. It can also be used to add grip or reduce glare on tools, weapons, and other functional metal objects.

    A hammered finish can be applied to a range of metals, including copper, brass, silver, and gold.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
  • Art Nouveau Period - The Art Nouveau period was a cultural movement that emerged in the late 19th century, and was characterized by its emphasis on natural forms, flowing lines, and a decorative, ornamental style. Art Nouveau was a reaction against the ornate and heavily stylized designs of the previous era, and sought to create a new, more organic aesthetic.

    Art Nouveau was characterized by its use of sinuous, curving lines, as well as a focus on natural elements such as flowers, vines, and other organic shapes. Art Nouveau designers sought to create a total work of art, in which every element of a building or object was designed to be harmonious with the overall design.

    Some of the most iconic examples of Art Nouveau design include the Paris Metro entrances designed by Hector Guimard, the works of the artist Alphonse Mucha, and the architecture of Victor Horta in Brussels.

    The Art Nouveau period was at its peak between 1890 and 1910, but began to decline in popularity by the start of World War I. However, Art Nouveau remains an important influence on design and art to this day, and continues to be celebrated for its emphasis on natural forms and decorative style.

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