Antique clock garniture, in rouge marble, the cylinder movement…
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Antique clock garniture, in rouge marble, the cylinder movement mounted with a figure of a bronze eagle and serpent, including a pair of twin handled urns

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  • The Eagle - The eagle has been a symbol of power, victory, and strength for centuries. It is often associated with bravery, prowess, and dominance, and has been used as a symbol by many cultures and civilizations throughout history.

    In ancient Greece, the eagle was associated with the god Zeus, who was considered the king of the gods and the ruler of the skies. In many cultures, the eagle was seen as a messenger between the physical world and the spirit world, and was associated with the sun and the sky.

    In the Roman Empire, the eagle was the symbol of the Roman army, and was displayed on the standards of the soldiers to show the power and authority of the empire. In medieval Europe, the eagle was used as a symbol of power and victory by monarchs and rulers, and was often depicted in art and architecture as a symbol of strength and courage.

    In modern times, the eagle continues to be a symbol of power, victory, and strength. It is often used as a symbol by nations and organisations, and is frequently depicted in art and on monuments to commemorate important events and achievements.

    The eagle's powerful appearance, combined with its association with freedom, courage, and dominance, makes it a popular and enduring symbol of power and victory.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

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