Japy French gilded spelter mantel clock. Mariner figure…
click the photo to enlarge
Japy French gilded spelter mantel clock. Mariner figure supporting clock. On alabaster base within glass dome. Keys & pendulum available. Operating, but May need service. Some wear to gilding. Estate late Douglas Osborne Hawke. Height 28 cm. (clock)

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Pendulum - The pendulum was discovered around 1602 by Galileo Galilei, and was adopted for time keeping by the Dutch mathematician and natural philosopher, Christiaan Huygens, who excelled in astronomy, physics, and horology.

    The pendulum comprises a metal rod usually of brass or steel with a metal disk, known as a bob, at the end. The movement of the pendulum is driven by weights or a spring, and as a pendulum swings in a regular arc, it was found accuracy could be controlled to within a few seconds a week.

    Timekeeping can be adjusted by changing the height of the bob on the rod, making the pendulum either swing slower or faster.

    The disadvantage of the pendulum was that changes in temperature also changed the length of the pendulum, interfering with the accuracy of the clock, and so in the 18th century two types of mercurial pendulums were invented which countered the movement in the steel rod.

    The pendulum was the world's most accurate timekeeping technology until the invention of the quartz clock, regulated by a quartz crystal, in 1927.
  • Alabaster - Alabaster is soft natural stone used for statuary, with a similar appearance to marble, but easier to work with. As it is softer than marble, an item made from alabaster can be scratched with a metal object, and an alabaster item does not polish to a high surface gloss like marble.

    Alabaster objects can be semi-translucent. Alabaster occurs in a pure white form and also with veining from dirt. Colours vary from white through yellow and pink to brown. The veining is usually green or black but can be multicoloured.

    Being semi-translucent, alabaster is often used for the bowls of figural lamps, with the figure itself being either alabaster or marble.
  • Spelter - Spelter was the name given to an alloy of zinc and brass or copper used in the 19th century for statuary and lighting. It is a brittle bluish-white metal. It was used as a cheap replacement for bronze, but being brittle easily breaks and can't be repaired. When finished it can often be mistaken for bronze, but if discreet a scratch on the base displays shows a greyish colour, the metal is spelter, if a golden colour the metal is most likely bronze.

This item has been included into following indexes:

Visually similar items

Antique French figural gilt metal clock on white marble base, no key, has pendulum, approx 34 cm high, 33 cm wide, 15 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French ormolu mantle clock in the Louis XVI manner, 19th century, with maker's mark for Vincenti et Cie, the eight day bell striking clock with an enamel dial and Roman numerals set within a 'Rock' and surmounted by a bucolic maiden and flowers and vines

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French ormolu Louis XVI style figural clock, circa 1880s, an eight day movement clock, having an enamel dial with Roman numerals set within an architectural and landscape style plinth surrounded by a young maiden with her basket of summer harvest and a f

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Japy Freres late 19th century French gilt clock by Phillipe Mourey having hand painted floral porcelain panels, one with a maiden, another painted with a cherub, an enamel face dial, two applied figures of doves on a stepped base flanked by two angels. Hei

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.