A Campanian red-figure bell krater, attributed to the Danaid Painter, circa 335 B.C. the side a depicting a male acrobat wearing a headband and a short kilt, his body bent backwards into an arch, with ivy leaves in the field side B depicting a swan facing right, with a rosette and ivy leaves in the field each scene enlivened with white paint, with a wave pattern baseline and flanked either side by a split palmette, with small palmettes under the handles, a band of laurel beneath the exterior rim, elsewhere reserved, (losses to surface), 18.4 cm high Exhibited: Melbourne, Museum of Mediterranean Antiquities (Monash University), November 2005 - April 2008; Melbourne, University of Melbourne March 1995 - July 2003 Provenance: ex Graham Geddes collection; Sotheby's London May 22 1989, Lot 199
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- Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.
In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.
The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.
The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
- Palmette - A decorative motif used in the decoration of ceramics, textiles and furniture, based loosely on the palm leaf and sometimes used with the anthemion, from which it is often difficult to distinguish. The form of the palmette varies from ornate to simplistic.
- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
- Rosette - A stylised circular-shaped disk with turned or carved decoration decoration applied to a surface, or carved into the surface, especially used in ceramics, jewellery, furniture, sculpture and textiles. Also known as a boss or a paterae or patera.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Krater - A Greek krater is a large vessel that was used in ancient Greece for mixing wine and water. The word "krater" comes from the Greek word "kraino," which means "to mix." In ancient Greece it was considered bad form to drink undiluted wine.
Kraters were used in symposia, or Greek drinking parties, where they were placed in the centre of the room and used to mix wine with water. The mixture was then poured into individual cups and served to the guests.
Kraters were often elaborately decorated with scenes from mythology or daily life, and could be made from a variety of materials, including ceramic, bronze, and marble.
There were several different types of kraters in ancient Greece, and they can be grouped according to the shape of the two handles, or of the vessel itself:
- A Volute krater has handles shaped like the volutes on an Ionic capital, whereas a column krater has columnar handles.
- A calyx krater is shaped flower bud, while a bell krater is shaped like a bell.
Kraters were an important part of Greek social and cultural life, and their decoration and style evolved over time as Greek art and society changed.
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