A velvet and brass jewellery box, the gold velvet covered low…
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A velvet and brass jewellery box, the gold velvet covered low casket with a gently domed profile and an Empire style putto in a chariot carrying a cornucopia to the lid and raised on petite brass paw feet, the interior lined in deep olive velvet with a leather trim. Height 9 cm. Width 29 cm. Depth 14.5 cm

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  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Empire Style - The Empire style was a version of neo-classicism popular from 1800 to 1830, coinciding with the rule of Napoleon I from 1840-15. In England the style corrosponds with the Regency style and in the United States to the Federal style.

    The style is inspired by classical Rome and Greece, as reflected in the decorative motifs in the the design such as paterae, guilloches, acanthus and swags, and pieces are lavishly decorated with applied gilded decoration.

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