A pair of oak carvers in the Elizabethan revival manner, the straight back chairs with barley twist side supports and knop finials, shaped and pierced splats, scroll end arm rests to turned supports and conforming legs united by 'H' form stretchers, with drop in seats upholstered with a gold figured navy Jacquard. Height 110 cm. Width 55 cm. Depth 54 cm
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- Jacquard Fabric - Jacquard fabric is woven on a jacquard loom, which allows intricate and complex patterns to be created. The jacquard loom is controlled by a system of punched cards or a computer program that controls the movement of the loom and allows for the creation of complex patterns in the fabric.
Jacquard fabric is known for its elaborate and detailed designs, which can include intricate floral patterns, geometric designs, and other complex motifs. The patterns are woven into the fabric, rather than printed or embroidered, which gives them a unique texture and depth.
Jacquard fabrics can be made from a variety of fibress, including silk, cotton, wool, and synthetic materials. They are often used for upholstery, drapery, and other decorative applications, as well as for clothing such as dresses, suits, and jackets.
- Barley Twist - The leg, and frequently other uprights such as columns, chair frames, spindles and stretchers, are turned in fairly wide and deep spirals, usually slightly rounded. Also known as the 'Jacobean twist' and common on the dark stained Jacobean Revival furniture of the 1930s and 40s.
As a rule, the twists on opposite uprights should move in a contrary direction. Thus, if the spiral on a right side is clockwise, that on the left side should move in a counter-clockwise direction.
This is also true of rope-twist or cable-twist turning, a nautical term that came into fashion after Nelson's victories over the French fleet. The essential difference is that with rope twists, the spirals are more finely turned on the lathe and placed closer together, than they are with barley-sugar turnings.
- Figured - A descriptive term to describe the patterns in the grain of timber. An object may be described as "well figured" or "highly figured" if the grain on a section of the object is highly patterned, as with flame mahogany or burr walnut.
- Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
- Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
- Elizabethan - Strictly speaking, furniture usually in oak, made in the reign of Elizabetht I, from 1558 to 1603. The style incororates elaborate and ostentatious carving of classicial figures and themes and bulbous baluster legs, with an Italian Renaissance influence. When a piece is described as "Elizabethan style", it mimics the attributes of the Elizabethan period, but was made at a later date.
- Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.
Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.
This type of seat was known as an over-upholstered or over-stuffed seat.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
- Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
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