'A fine Louis XVI ormolu mantel clock, last quarter 18th…
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'A fine Louis XVI ormolu mantel clock, last quarter 18th century. The circular white enamel dial with black Roman and Arabic numerals and inscribed Balthazar a Paris, the two-train movement contained within a drum-shaped case supported by a boat laden with wares, fitted at one side with the figure of a corsair and at the other side with a figure of Fortune above a cornucopia and flanked by a scroll inscribed 'Je vogue au gre de la fortune elle protege du dieu Neptune', surmounted by a pierced medallion incorporating a mask of Apollo, the pennant flying atop the mast inscribed on the reverse Julie Buyck 1783, the front with a putto holding a fishing line; the whole raised on a rectangular ormolu-mounted wooden base above ormolu feet. 18 cm high, 38 cm wide. Two almost identical clocks, often referred to as Au Corsair are reproduced', Tardy, French Clocks the world over, Vol. II, p.108-109. Provenance: Sotheby's New York

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  • Apollo - Apollo is the Greek and Roman god of the sun, and patron of music and poetry. He is often depicted with a lyre.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.

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