A 'Jazz' vase by Carlton Ware, 1929-1933, pattern 3353, shape number 465, the vase of compressed form with a broad neck decorated with vibrant abstract ribbon and chevron flashes in blues and greens with intersecting asymmetric patterned bands and shapes upon a rich mottled orange lustre ground; with backstamp, pattern number and other numerals underside. Height 10 cm
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- Chevron Motif - In jewellery, a chevron is a V-shaped pattern or design that is often used to create a bold and striking visual effect, and as a symbol of strength, power and protection.. It is a classic motif used in many different styles of jewellery and can be seen in various forms such as on a ring, earrings, bracelets, and necklaces. It can be created with precious or semi-precious stones, pearls, or enamel. It can be found in different forms such as engraved or inlaid or beaded.
In ceramics the pattern is often used in decorative pottery and porcelain pieces, such as vases, bowls, plates and figurines. The chevron pattern can be created by using different colored glazes or by hand-painting the design onto the piece. It is also commonly found in the form of embossing or intaglio in decorative ceramic objects. This pattern can be seen as a popular design choice in Art Deco and Art Nouveau style of ceramics.
This chevron pattern can also be found in many different types of furniture, such as tables, chairs, chests of drawers, and cabinets. A common place to find chevron pattern is in a herringbone pattern, which is made up of repeating V-shaped patterns. The chevron pattern can be created by using different types of wood, inlaying or by using different colors of stain. It is also commonly found in the form of a veneer. This pattern can be seen as a popular design choice in mid-century modern, Art Deco, and contemporary style furniture.
- Lustre Ware - Lustre decoration on ceramics is created by painting a thin deposit of metal oxide such as gold, silver or copper onto the surface, and then firing the item again, so that metal oxide forms a thin film on the surface. The finished effect is a shiny metallic surface. The technique was used in the 19th century by potteries such as Crown Devon, Grimwades, Maling, and Royal Doulton. However the best known use was by Wedgwood for its Fairyland lustre.
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