A small Victorian walnut occasional table, 19th century, having…
click the photo to enlarge
A small Victorian walnut occasional table, 19th century, having a quarter veneered top with a central roundel and supported on a knopped and carved stem with three shaped carved legs. Height 47 cm diameter 45 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Quarter Veneer - In preparation for production of quarter-sawn veneer, the log is first quartered, meaning it's cut into four equal quarters. Each quarter of the log is then cut radially, resulting in boards with annual growth rings at approximately 90 degrees to the face of the board. Veneer Cutting: These boards are then sliced into thin veneer sheets using a veneer slicer. Quarter-sawn wood is known for its unique and attractive appearance and the growth rings have a distinctive figuring often referred to as ray fleck or medullary ray.

    Quarter-sawn veneer is commonly used in furniture making. The unique grain pattern adds aesthetic appeal to pieces like cabinets, tables, and chairs. Decorative Panels: It is also used in the production of decorative panels for interior applications, such as wall panelling, doors, and trim. Some musical instrument makers use quarter-sawn veneer for the back and sides of instruments like guitars, providing both visual appeal and stability.

    The distinctive grain pattern adds a unique and desirable look to finished products. Quarter-sawn wood, and consequently quarter-sawn veneer, can be more expensive than other types of wood due to the cutting process
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Roundel - A roundel is a circular disk, medallion or border on a plate or dish, on an object of furniture. A plate or dish will often have a central circular bordered decoration, termed a roundel. In furniture the word is often used instead of the word 'patera' to describe a turned circular decoration. In recent times use of the word has expanded to encompass any circular area on an object.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.

This item has been included into following indexes:

Visually similar items

A Victorian walnut tripod occasional table, 19th century, the small circular table with bull nose edging above a carved and knopped pedestal, splayed curvaceous legs with foliate carved knees and scrolled feet. Height 50.5 cm diameter 48 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian Australian cedar supper table, third quarter 19th century, the circular tilting top on a turned baluster pedestal and three out-swept moulded legs with scrolling feet and carved details. Height 75 cm. Diameter 111 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian Italian walnut wine table, 19th century, with a fine quarter veneer burr walnut top with a stepped edge above a turned and fluted stem and supported on a three cabriole legs with scroll feet and foliate embellished knees. Height 70 cm. Diameter

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Victorian centre pedestal table, 19th century, the circular table having a fine and evenly coloured top with thumb nail edging above a shallow skirt and a central knopped pedestal with three curvaceous splayed legs with foliate carved knees and feet, wit

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.