Secretaire chest Australian cedar c1835. Sydney, plate 36 Australian furniture a guidebook by John Buttsworth, illustrated in nineteenth century Australian furniture plates 51 and 52. Sydney origin, the rectangular top above a stepped front with a generous secretaire drawer in the form of two short dummy drawers, enclosing a leather writing surface and an arrangement of drawers, pigeon holes and a central compartment with door and secret drawer, above three long graduated drawers with turned knobs flanked by reeded columns and raised on ball feet, 126 cm wide, 164 cm deep, 120 cm high. Provence John Buttsworth
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- Column - An architectural feature sometimes used for decorative effect and sometimes as part of the supporting construction. Columns should generally taper slightly towards the top. They may be plain or decorated with carving, fluting or reeding. Columns may be fully rounded or, more commonly, half-rounded and attached with glue, screws or pins to the outer stiles of doors, or the facing uprights on cabinets and bureaux.
- Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
- Graduated Drawers - A bank of drawers, where the top drawer has the least depth, and the depth of the each drawer is greater than the drawer above.
- Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
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