A Victorian sterling silver and gilt ewer, the 'Squatter's cup', 1861 London, with maker's marks for Stephen Smith and William Nicholson, the tall ewer with an applied neoclassical border of vines, cornucopia, masks and animals, the lid with a coiled snake finial, bearing an 1863 inscription to the winner of the Terrick Terrick Plains Tang Tang Steeplechase; hallmarked to neck. Total weight 1143gr. Height 35.5 cm
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- Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.
The hallmark will consist of several marks, including the:
- silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.
- the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.
- the date mark, usually a letter of the alphabet in a particular font and case,
- a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890
The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.
Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
- Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
- Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.
In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..
Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body.
- Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
- Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
- Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
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