A large and mirrored pair of Chinese gilded famille rose Comressed vases, late 19th/early 20th century, with four large roundels painted with phoenix and five-clawed dragon to the centre set amongst flames and clouds, each decorated on a bright yellow background with vibrant enamels to the exterior, the phoenix and dragon together, symbolic for harmony in marriage, the rim with a multi-coloured key-fret border, with gourds and flowers and scrolling vine, with matching wooden stands, the vase 36.5 cm, the wooden base 31 cm high. Provenance: Purchased from lady Monahan's collection, McCann's Auctions, Monday 24th May, 1982., the lady Monahan collection was collected over the period 1955-1974
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- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
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